inspections

I am still alive. For quite a while there I was very busy doing things so extraordinarily mind numbingly banal and tedious that i will not speak of them anymore, except to say that they involved cleaning, real estate agents, excel spread sheets and tax. These are a few of my least favourite things, needless to say.



The exhibition at Gallery 9 really went extremely well, to my amazement, with most of the work finding good new homes. Some is even going to London.
It was so nice to have my work in such a beautiful space, and to work with such good people. I have lots more photos here, including works-in-progress pictures. And i have added added some to my website, too, and will add more when i get a chance.



I am off to Nowa Nowa tomorrow, in East Gippsland, for two weeks, as The Long Now resident artist. I'll be doing an installation in part of an unoccupied house as part of Open For Inspection, in collaboration with the local community (hopefully!), and my sister Rhiannon, too (she is very good with paper and things, and a very good artist). I am really looking forward to actually getting there, rather than just preparing; there has been lots to pack, and organise, and think about. Some more about what i'll be doing here.



And here is Open For Inspection the blog

return and recover

It's been a while. I got back from sydney on the weekend, and have had lots of emails and stuff to catch up on. I stayed a week, to install my show, go to the opening and whatever. It wasn't strictly necessary to stay in Sydney, as it is under two hours on the train from where I live. But i'm very pleased I did stay up there, as it was very hard work! I'm still recovering. Actually maybe it was necessary.



I'm very pleased with it and the way it all went, and very relieved that it all went to plan. I will write more about it very soon. For now I am recovering. And catching up on emails. These are some photos of the show. I've got a whole lot more, but they can wait.

invited!

Opening 2nd August at 6.
9 Darley Street, Darlinghurst. Continues till the 25th August.

filling space 2

Here are some photos of the new studio. I really love it. Probably I would live there if I could.



It kind of boggles my mind that I actually have two studios at the moment. Not much more than a year ago I was borrowing Lauren's spare room and garage while she was between flat-mates.

I'm not really using the old studio right now, though. But it still has an awful lot of my stuff in it.




I am too tired to write any more, it was a long day in the studio. The show in Darlinghurst goes up next week, i'll be taking my work up saturday, to install monday and tuesday. Here are a couple of the things that will be in the show (in the new studio, of course).

filling space

Here are some more photos of what i'm making for the show in August. Not long to go now!

Got the keys to my new studio at the gallery on Monday. I had planned to wait till after the Darlinghurst show to really move my stuff in there, just because of the time involved (i need all the time i can get right now!) but yesterday i caved. I just couldn't resist all that empty space.



Also, i was a little frustrated by the lack of space to put the sculptures together. They take up quite a bit of room when assembled, and so i was having to take them apart at the end of the day because they made it difficult to get in and out of the studio. But, thanks to my dear Mother and her car, i've got the space to set them up, and leave them that way for as long as i like.




It felt a bit ridiculous driving from the old studio to the new one, they are only a block apart, perhaps 150 metres. But it would have taken me hours to move all that stuff on foot (what i really need is a shopping trolley. Not those little ones you can buy, but a full size supermarket one! But then i'd have to put that somewhere) It still took a while, though; there are stairs at both ends.



I'm looking forward to showing some works on paper along with my sculptures, it's often just been the sculptures that i've shown in recent exhibitions. Often in group shows there's far more space in the middle of the gallery than on the walls.




And here is a photo of a crazy tangle of sculptures in my studio (the old studio, that is; will have pictures of the new one soon).

sculptures in residence

I got some exciting news on Thursday. I am the new Resident artist at Wollongong City Gallery. Amongst other things, this means I get the use of a studio for a year, money for materials and a show at the end. I have not really begun the residency yet, Anita Larkin, 2006 resident, is in the process of moving out.

Anyone in the area should really go check out Anita's show, it is really something very special, the work is quite extraordinary.

I am really looking forward to having the opportunity to work toward a show for a whole year. And I know i'll really enjoy doing my work within the gallery, I love the people there, staff and volunteers. In fact, I am there already quite a bit. I'll enjoy a few more visitors, too. Now my fabulous artist-friend Lauren has gone to London i don't get that many. I share my studio, but unfortunately for me Shivaun works very hard at her job in Sydney.



It'll also be great to have a show where i've hardly got to move the works any distance at all, especially because I am planning to make some pretty big stuff. Though it does have to fit through the studio door. Another good thing is I could certainly use some practice when it comes to talking about my work.



The work I'll be doing is specific to the gallery itself, in a sense it will be site-specific. I'll post plenty more about my plans later. For now I am busy with the sculptures and stuff for Gallery 9. I spent a couple of days taking photos earlier this week. It's tricky with stuff this big. It was difficult to get my piece of white backround paper high enough for the tall sculptures. Some are over 2 meters. For the taller ones I had to stand on a chair to avoid getting the edges of the paper in the shot, and there was no chance of getting the whole thing, bottom to top, in the frame.
I'm pleased with the way it's all coming along, though i've still got plenty keeping me really really busy. The pictures in this post are some of the sculptures i'm making. More photos of the work here.

working and waterlogging

This is some stuff i'm working on at the moment, in my studio. I'm making them for a show in Darlinghurst, Sydney, opening August 2. It will be the first show i've had 'all by myself' that is not in wollongong.
Some of the sculptures will be pretty big, maybe larger than any I made before. As well as this i'll have drawings and smaller objects and whatever. Hard to say exactly at this point...
I am, of course, working like mad.



The place is Gallery 9. It's pretty new, set up just last year, and a rather lovely space. This is a photo of the entry/ hallway. There are three gallery rooms off this bit.




On a rather more mundane note, part of my bathroom ceiling caved in today. It was waterlogged, and has been threatening collapse for a few days now. At least having a shower won't be quite so risky now. Supposed to be a plumber coming tomorrow. The block of flats I live in seems to have constant plumbing 'issues,' a while ago we had a 'weeping wall'.
It might sound like something worthy of pilgrimage, but believe me, it was really just a big pest.

window sill

It's been a while between posts. A variety of things have been keeping me occupied, including a new macbook. I've never really used OS X before so I've had to learn to do stuff a bit differently. Just little things. I really really like it. So far anyway. Nothing has broken yet.

It's lucky i got it when i did because my desktop PC decided to ignore its CD/DVD drive. Not good when you've gotta send a CD of photos (last post!).

I've been spending way to long downloading and changing icons around. I have so many icons now, i have three sets of insect icons. One is specifically bees. Another set is internal organs, and another is little felt characters. I think they're called felt critters, funnily enough.

This is not all I've been doing, of course. I have also been doing some studio rearranging. Firstly it was minor change, the things on my windowsill got rearranged. Some of the things that were there i put in a little show (at project, artist run space where i do stuff). I also got some little things back from Wollongong city gallery. The photos are of my rearranged windowsill. And then i did some bigger changes, made a mess, and cleaned it up (mostly).



The exhibition is an open entry type thing, it was a last minute (well night before) decision to go in it, swayed by director-chairperson Sara. She is very persuasive. I am actually vice-chair, though i feel something of a fraud. Sara's never missed a committee meeting so I've never had to fill in.

I did help hang the show, though i didn't work as hard as some other people, as i had an urgent thing to finish that i don't really want to talk about.

Plus hanging other peoples work drives me a little mad sometimes. The other folks hanging will vouch for that because they had too listen to the cursing and swearing. And i don't usually swear that much. Actually, hanging my own work drives me mad too. But somehow not quite so mad. At least most of my stuff isn't in straight lines, i think that makes things easier. And of course i know which way round it goes. Most of the time anyway.
And if i put a d-hook (not that i really ever have a need for them) in some ridiculous spot that made my work jut out at 90 degrees from the wall i would only have myself to blame.

And then of course there's sitting the gallery, which the participants in the exhibition do. For the most part this works out fine. But occasionally someone doesn't show, and the gallery is not open when it should be. And you only find out about it later when someone gives you (and the gallery) crap about it. Obviously it is the absent person they should be so very irritated at. But of course they don't know who they are (or why they aren't there) so you're the next best thing.


Not that ARIs aren't good fun too.

horsehairy photos

There's been a change of plan. I still have the MECHANICAL EQUITANT and will have it for a while yet; I'm taking the photo for the catalogue now. Actually i've taken it. Many of them, i'm sending a CD full and that's just the good ones.
It's taken me quite a while to get pictures i'm reasonably happy with; details are easy enough but along with close-ups i was asked to send pictures of the whole thing. Partly that is a challenge because i lack the space, but also has to do with technicalities associated with not having quite the right equipment, and i won't bore you with those. But eventually things worked out okay, i think. Though only after rather a lot of trial and error, and the purchase of a big roll of paper (which i'd wanted anyway) and 500 watt halogens (very cheap) and a second visit to bunnings to get a replacement globe cos i must have accidentally touched one of the globes which you can't touch.



The lights came only after hauling all the gear (camera, tripod, sculpture, giant paper roll etc) in the rain down to project artspace (it was maintenance week) and building a wall of plinths that was really rather dangerous. And then rebuilding it, and then a flat battery.

I confess i'm a bit of a 'pixel peeper,' it really gives me a thrill to be able to zoom in on a photo that's really clear and sharp. I've been doing an awful lot of peeping in the past few days.

I think part of the problem was that i've had photography done for a catalogue before, in a photography studio by a professional photographer. And those photos are so good!! Very close to perfect, i reckon. Proper equipment, studio, and most importantly expertise and experience makes a huge difference. The quality of my photos doesn't really even approach those, but i think they'll do. I hope. Maybe i'm too fussy. But these photos actually look pretty sharp when viewed at 100% which is about a metre tall (vertical orientation). Or at least a lot of them do, at least on-screen. Previously i've had trouble getting that when it comes to pictures of big stuff, so it feels like a real accomplishment. Of course it's likely that no-one else will notice....

So these are some of the pictures, though i've sent many more than this. Easier that way.




It has been a real learning experience, i'm all set for next time! As long as it's not summer - i don't think i could bear the 1500 watts of heat.

horsehairy

This work, THE MECHANICAL EQUITANT (in these photos it's not quite finished yet) has been commissioned for BLOODLINES: ART AND THE HORSE AT Hawkesbury Regional Gallery, which will open 1st of August (of course!). I'll be sending it on it's way this week, in time for catalogue photography. The show is curated by Peter Fay, there'll also be new commissioned works by Charlie Sofo, Slim Barrie, Jo Boag, Stephanie Hicks, Simon Scheuerle, Linde Ivimey, Martin Mischkulnig, and Tom Moore, as well as existing works by artists Noel McKenna, Nicholas Chevalier, Arthur Boyd, Ken Whisson, Albert Tucker, Fred Williams, Sam Fullbrook, Harold Cazneaux, Pro Hart, TV Moore, Sidney Nolan and, i believe, quite a few others.




THE MECHANICAL EQUITANT has undergone many changes and revisions as i've been making it, many parts were created that didn't end up getting used. The photos HERE show many of these parts. They'll all come in handy for something else. It seems i have a very inefficient way of working. Sometimes i think it would be nice to know exactly what it is that you're doing, and know it will work. But maybe it wouldn't be so interesting that way.

Will do another post on this work. Maybe when it's on its way and i don't have to look at it any more.

malleable fiction

Some odds and ends sitting on the window sill of my studio. Lots of them use the crumpling i've been doing a lot of lately, combined with papier mache. I called them FICTILE MEMENTOS. I like the word fictile, it sounds to me like it means 'fictional' but actually means 'malleable' or 'formed of a moldable substance' and is often used in relation to pottery. These two meanings aren't so different really, both imply a constructed entity, one of them , perhaps, a little more tangible than the other.



Some of these pieces were in a group show at FIELD in Newcastle a little while ago -

very very small

I made these sculptures for a weekend exhibition where everything had to be under 10 x 10 x 10 centimetres, strangely enough called 10 x 10 x 10.



That is even small for me! A lot of my work is almost that small...



They are made of paper, thread, wax, wire, ink, glue, coffee and a wooden skewer.

Do you know how to pony

These little horses (yes they are horses, maybe when they are finished they will be more identifiably horses) sitting in my studio are going to be part of a larger sculpture that will be in an exhibition at Hawkesbury Regional Gallery later in the year. At least that's the plan.




(how much fits between the eyes of a horse?)